Alright people, the time has come once again for end-of-the-year lists. Like last year, my brother and I are compiling lists of the top albums of the year. And like last year, this is merely my opinion. Some of them are fairly mainstream and well known, others not as much. But maybe you can find something you like. First, here are some notable EPs:
The Wild Youth (Daughter)
I came across Daughter this year; they are an English band gaining a lot of traction, especially in recent months. The lead singer is a girl, and there are two guys who play backing instruments. The music is very minimalist, but the lyrics are really dark and brooding. Some of the songs are immensely powerful, especially considering how relatively simple they are. I highly recommend listening to some of their stuff if you appreciate good lyrics.
In the Open EP (Benjamin Francis Leftwich)
Ben Leftwich came out with this four-song EP in mid November. The musical style is very consistent with his previous work; all the songs are pretty simple and quiet guitar songs. The lyrics are very engaging, and somewhat nostalgia-inducing. His voice works so well with the guitar.
Put Your Sad Down (School of Seven Bells)
I have been listening to stuff from the School of Seven Bells for a few years; they have several albums out. It's hard to describe their musical style; I guess it's ethereal electropop. It's generally pretty beat-heavy, with some creative rhythms. This EP came out in mid November, and I think it's a really good direction for the band. The rhythms are very catchy and driving, with some elements of techno. As always the girl's voice works really well with the drums (sort of a softer version of Sleigh Bells).
State Hospital EP (Frightened Rabbit)
Frightened Rabbit were pretty busy this year, with numerous shows in the UK, a US tour, this EP, and preparations for their next album to be released in February. This EP is extremely good. The style is not radically different from their previous work, but the melodies seem more cohesive and beautiful. The lyrics are very well-written, and every song tells a story. I'm excited about the February album, but this EP is definitely worth listening to in the meantime.
And now, the top ten albums:
10. Moms (Menomena)
Menomena are a rock group from Portland, Oregon. Their music takes a bit of getting used to; it's very "experimental" and unpredictable. Normally I don't go for that sort of thing, but after my sister got me their 2007 "Friend and Foe" album for my birthday a few years ago and I listened to it several times, it started to grow on me. They make use of a huge variety of instruments, especially the saxophone and piano, in addition to more traditional guitar and drums. Their most recent album, "Moms", is consistent with their previous work. It is harder rock than I usually enjoy, but if you're in the right mood it can be great.
9. Away From the World (The Dave Matthews Band)
Dave Matthews can be a pretty polarising force...people either love him or hate him. It seems to me that most people who hate him just have negative associations with his music (from people they knew in high school). I have to admit I don't like all of his stuff, but his last two albums have been incredibly good in my opinion. "Away from the World" came out in September, and it very much follows in the vein of "Big Whiskey and the Groo Grux King". It almost seems like a sequel to that album. All the songs are beautifully arranged; they are generally fairly rocky, but with enough of the jazz/jam-band feel to still sound like DMB. And despite what other people say, I think Dave Matthew's voice still sounds pretty good.
8. Night Visions (Imagine Dragons)
Imagine Dragons are an up and coming rock band from Las Vegas; they are quickly getting a pretty huge following. This year they released their debut album (previously they had only put out a few EPs). For people who were familiar with their previous work, the album contained disappointingly little new music, but taken as a whole it is undeniably excellent. The band has a unique sound, and it's very hard to describe. Most of the songs have some catchy riff that is repeated. The songs generally have some pretty strong and deep percussion, and are held together by the lead singer's powerful voice. I saw them live in Fort Collins at the end of April, and couldn't believe the energy of their performance. Despite the fact that it was a Monday night and there was hardly anyone there.
7. Fallen Empires (Snow Patrol)
I've always liked Snow Patrol, but I think this new album takes the group in a bold new direction. It's much louder, and much more drum-heavy. Listened to in its entirety, the album is really gripping, even from the first few seconds of the first song. Their traditionally strong songwriting is still on display, too. Some of the tracks are purely instrumental, which I nearly always enjoy in a rock album. There is a lot of emotional variability too in the songs; some are pretty uplifting and some are really depressing. I'd recommend giving it a listen even if you don't know Snow Patrol or haven't historically liked them.
6. Strangers in the First Place (Robert Francis)
I had never heard of Robert Francis before I stumbled in upon his live performance opening for Mat Kearney at the Ogden Theatre in February. It was an incredible performance, and I remember him mentioning he had a new record coming out and playing a couple of songs from it. This album came out in May. I have to admit that for whatever reason it took me a few listens to start liking it, but now I think it's an awesome album. The songwriting is excellent, and it's musically very engaging. It feels more varied and creative than his earlier work.
5. Lonesome Dreams (Lord Huron)
Lord Huron's debut album came out this year. I don't think many people had heard of them a year ago, but this album is being pretty widely acknowledged as one of the best of 2012. They are going on a Europe tour in the new year. The style of their music reminds me most of Band of Horses, but it's faster, more folky, and more percussive. The lyrics are really good, and the harmonies between the vocalists work really well. Every song is excellent. I'm looking forward to what this band will do in the next few years.
4. Port of Morrow (The Shins)
If you like the Shins and you haven't yet heard this album, you should do it as soon as you can. It's classic Shins, complete with really pleasing guitar riffs and mellow vocals. I guess it seems slightly more rocky and faster than their previous work, but not in a bad way. Some of the songs will get stuck in your head. The band appears to have lost none of their touch.
3. An Awesome Wave (Alt-J)
This is the debut album from this English rock group, and I thought it was pretty groundbreaking. The style of music is impossible to characterise. At first listen, it reminded me of reggae-type jam bands that are becoming popular these days (like Rebelution and Slightly Stoopid), but it's a lot more varied and interesting than that. The album feels very cohesive and is best listened to all the way through in one sitting. Some of the tracks are entitled "interludes" and have a mellower feel, but the most striking songs are very beat-driven and danceable, with catchy melodies. There is a definite jam-band influence. The layering of instruments is extraordinarily well done, and the vocals are also excellent. The lead singer has an interesting voice; he sounds a bit like the lead singer for the Temper Trap.
2. Some Nights (fun.)
This release met with a lot of critical acclaim, and for good reason; it's an incredible collection of music. The musical style is much like their first album "Aim and Ignite", with a lot of snare-heavy drums and a variety of background instruments, but the songs are more catchy and varied. The lead singer's unique voice features prominently in every song. The basic tunes are remarkably simple, but somehow still feel ground-breakingly new; I think it takes real talent to create music like that.
1. Babel (Mumford and Sons)
Mumford and Sons' new release (after a two-year break since "Sigh No More") comes into a completely different environment than their first album; they have gone from being a totally unknown English folk group to being some of the best-known artists on the contemporary music scene. Their spectacular and massive rise in popularity during that time has led to some people disliking them for being too mainstream; I've heard them referred to as "Mumford & Bums". However, the very fact that they are so well-known is a testament to the power of their music. I had reservations when I heard they were coming out with a new album this year; I thought there was no way it could live up to the genius of "Sigh No More". But it does. The musical style is exactly the same, but the new songs don't feel like revisiting the same territory. I had the privilege of seeing them play at Red Rocks at the end of August, and it was one of the best concerts I've ever been too. They played some of their new songs there, and they all sounded flawless. This was the best new album I heard all year.
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